cimorene: The words "DISTANT GIBBERING" hand lettered in serif capitals (sinister)
Cimorene ([personal profile] cimorene) wrote2025-07-20 01:47 am

now Wax says our van doesn't have ABS so I'm scared to drive it, too

After my first driving lesson with a clutch and an expert instructor, I felt cautiously optimistic and a bit excited. I knew I was going to need a lot of practice for the mechanical habits, but I was having fun.

After the first lesson with the driving simulator I kind of feel like I did terrible. I don't say this is a tone of despair, because I know it's partly the fault of the simulator, among other things, but I did get quite annoyed at myself.

I also felt like I needed more repetition of just starting, slowing and stopping, and shifting gear before I tried combining them too quickly the way the simulator was asking. I'd only driven half an hour before the lesson started and was not ready yet to shift into 3rd, floor it to reach 50 kph as quickly as possible, then immediately shift to 2nd and brake to slow while looking over my shoulder for a left turn. This is supposed to be a driving simulator, not a street chase video game! Of course I forgot the turn signal one time and released the clutch too fast another! Also, why would you ever go to 3rd gear and 50 kph in a dense urban environment for less than a block? Why couldn't you practice those skills in a realistic scenario? Like a highway?

But anyway, the point is: there are a fixed number of driving lessons included in this course, so it might not be possible to practice each skill more before moving on. And I've always been terrible at video games. And sports. And coordination, if you don't mean the kind of fine control used for art. Though in retrospect, I did forget to take my methylphenidate first, and it should statistically make a significant increase in how safely I drive.
cimorene: Illustration from The Cat in the Hat Comes Back showing a pink-frosted layer cake on a plate being cut into with a fork (dessert)
Cimorene ([personal profile] cimorene) wrote2025-07-19 09:05 pm

it actually is an omelette for sure, but I agree with the writer that eggs Florentine sounds cooler

Something I read recently - I think a vintage women's magazine from the 20s, but I'm not positive - mentioned "eggs Florentine". I did a quick web search, not having heard of this before, and learned that this, also called a Florentine omelette, is an omelette with cheese (traditionally swiss or gruyere) and spinach filling. Dishes named "Florentine" often have spinach in them, apparently. I found a recipe to try, because I love spinach dishes, and we had it for dinner today with bread rolls. I made the filling with pepper gouda and a bit of parmesan because that's the cheese we had, and it came out great!

Now Wax is baking an almond layer cake with lemon curd buttercream because her favorite aunt is coming to stay on Monday. She asked me what kind of cake, and almond layer cake with vanilla was my suggestion. I subsequently remembered I've been craving carrot cake and she said she'd make one of those too, but we'll have to buy cream cheese first.
mific: (Jack -  for crying out loud)
mific ([personal profile] mific) wrote in [community profile] fancake2025-07-19 07:31 pm

SG-1/Terminator: Temporary Alliances by cofax

Fandoms: Stargate: SG-1, Terminator: The Sarah Connor Chronicles
Characters/Pairings: Jack O'Neill, Teal'c, Sam Carter, Daniel Jackson, Sarah Connor, Cameron, John Connor
Rating: Gen
Length: 1886
Creator Links: cofax on AO3
Themes: Working together, Action/adventure, Crossover, Time travel, Teams, Robots and Androids

Summary: SG-1 meets a very intense woman with two heavily-armed teenagers in a warehouse in Modesto.

Reccer's Notes: A short fic about Sarah Connor's team helping Jack's team while on a mission in the past, dealing with a Terminator. Gripping action - and an intriguing and worrying AU in terms of the future of this crossover Earth. As Jack says: "That's just ... great." (Need to log in to AO3 to read it)

Fanwork Links: Temporary Alliances

kingstoken: (Crowley SPN)
kingstoken ([personal profile] kingstoken) wrote in [community profile] fancake2025-07-18 02:36 pm

Doctor Who: Shear Force by Trobadora

Fandom: Doctor Who
Pairings/Characters: Twelve/Missy/Jack
Rating: M
Length: 11,681 words
Creator Links: Trobadora
Theme: Working Together, time travel

Summary: This is what it takes to hold together what has been sheared apart.
Or: The Doctor, Jack Harkness and Missy encounter a weapon from the Time War.

Reccer's Notes: Jack visits the Doctor to berate him for releasing the Master from the vault. While he's there, something terrible is happening to time itself.  The Doctor and Missy have to work together with Jack's help to stabilize their timeline.  The author does such a great job showing you these little snippets of possible timelines, and giving you just enough that you want to know more.  There is a sex scene between the three of them, but it makes sense in the context of story, and is about so much more than just sex.  If you like Twelve and Missy and have always wanted to see what it would have been like to throw Jack into the mix, then please read this one.

Fanwork Links: Ao3
umadoshi: (Zhu Yilong 04)
Ysabet ([personal profile] umadoshi) wrote2025-07-18 01:26 pm

Z1L movie-release news | An etrike update I may not have mentioned | Weather

On Bluesky, Wenella reports that "Dongjj Rescue, starring Zhu Yilong, Ni Ni, and Leo Wu, will be released in the US on Aug 22, 2025. The film will be released in mainland China on Aug 8." Time to start haunting the Cineplex site in hopes of Canadian showtimes!

I took today off in hopes of getting a bit more sleep (done, although not an impressive amount) and actually starting in on my next manga rewrite. I have just over a couple of hours before I need to venture out, so...we'll see how the latter goes in practice.

I can't remember if I've mentioned here that almost two months ago, I concluded that I'm going to sell my poor basically-unused etrike. In case I haven't, here's the gist )

Anyway, this comes to mind because for once I have a little venture that would, in fact, be perfect for taking the trike if I were at all in the habit of/comfortable with using it. Ah, well.

In related news, at least we're not under a heat warning anymore, unlike the last few days. (It's still currently 22°C and humid as hell, resulting in a 30°C humidex, and it's supposed to be a couple degrees warmer later this afternoon. But it's still an improvement.)
runpunkrun: combat boot, pizza, camo pants = punk  (punk rock girl)
Punk ([personal profile] runpunkrun) wrote in [community profile] fancake2025-07-17 07:46 am
Entry tags:

Round 177 Theme Poll

August will be a Flashback round where we revisit a classic theme from the early years of the comm.

Poll #33370 round 177 theme poll
Open to: Registered Users, detailed results viewable to: Just the Poll Creator, participants: 92

Pick the next theme of fancake:

Femslash
20 (21.7%)

Marriage of Convenience
44 (47.8%)

Worldbuilding
28 (30.4%)

cap_ironman_fe: (pic#11300758)
cap_ironman_fe ([personal profile] cap_ironman_fe) wrote in [community profile] cap_ironman2025-07-16 01:31 pm

ALL NEW, ALL DIFFERENT BIG BANG GUIDELINES (2025)

a comic panel of the new avengers overlaid with the text cap-ironman big bang 2025



SCHEDULE



 

JUL 16: Writer Sign-Ups OPEN
AUG 15: Writer Sign-Ups CLOSE

SEP 30: 1st Draft Checkpoint (25% of draft)

NOV 14: 2nd Draft Checkpoint (50% of draft); Claims Kit Due. ✨Last Drop Op for Writers ✨
NOV 22: Art Claims

DEC 12: Collab Checkpoint

JAN 11: 3rd Draft Checkpoint (75% of draft)

FEB 14: Artist Checkpoint
MAR 15: Final Draft Due (100%)

APR 1+: BANG

FAQ

 


Q: What’s a Big Bang?

A: A Big Bang is a fandom event where authors and artists commit to putting time and energy into a longer project: writers develop a very long fic and artists sign on to illustrate that work. Early Big Bangs were 50k or more. Ours has been running continuously since 2009 and our wordcount requirement remains 20k (technically novella-length). Of all the events run by Cap-IM, this is the event with the biggest time and creative investment. It’s a celebration of many, many words and the art inspired by those words.

Q: 20k. That is so many words. Am I ready for this?

A: As with any event, consider your available time and energy. We’re hopeful that the longer creation period and several new measures to support our fannish creators will make it easier for our participants! If you’re unsure of your readiness to work on a longer fic, ask yourself:

  • Are you comfortable writing 5k? 10k?

  • Do you think about plot structure and what it’s doing to your story?

  • Do you have an idea that demands a longer wordcount, or, alternately, an idea that is eating you alive from the inside out?

  • Do you want to work on one project for a really long time?

If you’ve never written before, or you’re brand new to Steve/Tony, or you find yourself (over)committing to a ton of fandom events during the year, consider first trying one of our more accessible, lower-pressure events: Bingo, HE, our Summer Event, or, if you're looking for a collaborative event, RBB.


Q: What if I don't think I can read an entire long fic, but I want to sign up as an artist?


A: Fundamentally, the purpose of the Big Bang is to celebrate long fic and to create art inspired by long fic. To celebrate long fic, artists must be willing to read long fic. You will be able to see the estimated length of fics at claims sign-up, and writers are required to submit 50% of their estimated total wordcount, complete. Fics vary in length: some are 20k, some are 80k. You will have 3-4 months to read the fic and collaborate with your writer on your art pieces. Do not overcommit; ask yourself kindly and honestly if you have the time/energy for the investment. Other Cap-IM events such as Reverse Big Bang or Holiday Exchange do not require reading investment.

Q: Can I do art AND fic in the same year?

A: No, you may participate once. Please choose your project intentionally. Artists may choose ONE writing project. Writers may submit ONE work OR, if they are writer-artists, may claim one writing project as an artist. Two different artists may claim one writing project in the event we open second claims. One artist cannot claim two different writing projects.


Q: How can I know if my art is "good enough" to sign up as an artist?


A: There is no metric for artistic skill required for the Big Bang. This is your task to approach bravely. You should be able to complete two thoughtful artistic pieces that you are proud of, in 3-4 months. If drawing/creating something from someone else's descriptions is difficult for you, this is not the project for you. We will host art-hangs where artists can ask for feedback on pieces/art resources/advice throughout the creation period. Remember: this is a voluntary, collaborative effort purely designed to bring you and your partner joy and accomplishment, NOT an unpaid commission.

Q: Must my fic be beta-read?


A: Yes. You must have someone who is not you review your fic before final posting! Beta readers make your work better and they make you a better writer. Even if this is just a cursory read-through done by someone whose eyeballs are not yours, it is required.

Q: I have an idea, but I’m not sure if it’s enough to make a novel.


A: Ultimately, only you can decide this. Here are some things to consider:


  • Have you written fic before? If yes, how long?

  • Have you written longfic before?

  • Do you regularly struggle to build fics out longer than 5-10k, OR do you regularly find yourself brainstorming concepts and premises that end up too long for other events, exchanges, and short fics?

  • Is there an idea already burning inside you, OR is it like pulling teeth to find an idea that you can round out into a longer fic?

  • Do you struggle to manage long-term projects, OR do you write like the wind?

  • What is the most you can sustainably write in a month?


Q: Can I use a sequel or derivative fanwork/remix?

A: Sequels are fine. If you want to write a remix-y work based on someone else’s fanwork, you must adhere to best derivative works practices and secure their permission or adhere to their transformative works statement. Your artist will not be required to read pre-existing works, so temper your expectations.


Q: I want to write a piece involving polyamory, is this allowed?

A: Yes; the only criteria is that the relationship between Steve and Tony must be central and not incidental in your fic. Some examples:

  • YES - Steve and Tony break up in chapter one; the rest of the fic is dedicated to their slow burn reconciliation.

  • NO - Steve/Tony/Rhodey are in a situationship. Steve appears only briefly and Tony’s relationship with Rhodey is central.

  • YES - Steve and Tony are friends and teammates but not romantically involved.

  • YES - Steve and Tony are in a queerplatonic relationship.

  • YES - Steve and Tony have an open relationship and are fucking Jan every other weekend.

  • YES - Steve is in a relationship with Sharon; the narrative focuses on his evolving sexuality and how Tony disrupts his compulsory heterosexual ways of living.

  • NO - Tony and Bucky are in a relationship; they share a tender moment in the wake of Steve’s death.

If you’re still not sure, ask yourself if your fic would be better placed in the Marvel Bang or in a SteveTony bang.


PARTICIPANT ELIGIBILITY

BASIC STAT REQUIREMENTS


 

To participate in this Big Bang, you must:

  • Be 18+ to play!

  • Have an AO3 account to post.

  • Have Discord to attend writer/artist chats and workshops.

  • Check your email regularly to get event updates and mod communications.

  • At the time of sign up, be ban-free. See [BANS] to see how to lift a ban more expeditiously.

  • Writers, you must be able to finish a 20k+ fic in the allotted time.

  • Artists, you must be able to complete at least 2 pieces thematically congruent with the writing project you have claimed in the allotted time.

  • Meet/respond to check-ins and be prepared to share your work with the mod team at intervals. It doesn’t have to be polished, it just has to exist.

  • Attend at least one discord hang during the BB creation period: writer chat/write-in for writers OR art-hang for artists.

We encourage brand new writers to try an event with a lower minimum word count before attempting the Big Bang. Check out HE for a super low word requirement or RBB to learn what it’s like to collaborate with another human.

COMMUNICATION AND COLLAB


This event is a collaborative, creative project. It requires you to communicate your thoughts and feelings about your ideas to another person. Every collaboration will look different, as every person has a different communication style and way of making art.
At minimum, all writers and artists should communicate clearly and frequently with their partners during the important stages of the event, and let partners know if there will be times of radio silence. A successful collab can lead to long-lasting fannish friendship! Keep your mind and heart open and at barest minimum, keep lines of communication open.

Please keep in mind that:

  • Your partner is human

  • Your partner may not be able to meet all your expectations

  • Graciousness and kindness go a long way

  • Communication and compromise are key

  • Your partner is performing serious labor on this project and you should be prepared to meet and respect their effort

  • Your partner cannot read your mind

  • Fandom exists outside the framework of capitalism

Let your partner know immediately if you are struggling. Let the mods know if there is a breakdown in communication and we will gladly help you ease back on track.

WRITERS!

 

FIC REQUIREMENTS

 

Your fic must feature the relationship between Tony Stark and Steve Rogers in any universe(s). This now includes polyromantic, explicit, and queerplatonic/aromantic tales alike. Their romance or friendship must be central to the narrative and not incidental.

Your fic must be 20k or more at completion.

You must leave room in your fic for artistic interpretation and be willing to work WITH an artist on visual articulation of ideas; i.e; this is not a commission.

 

Your fic may not be created in whole or part with generative AI.

 

WIPs that have not been published in full elsewhere but small portions have been shared (ie. community chatter, snippets, or small excerpts) are encouraged! When returning to an old work, we ask only that writers evaluate their own motivations and make sure the story still lights a fire in you.

ALL-NEW, ALL-DIFFERENT SIGN-UPS
All writers who want to participate in this cycle must sign up during the Sign-Up Period. In previous years, participants could join at the last minute, prior to claims, as long as they had 10k of fic. This cycle, you must declare your intent from the start and commit yourself to spending time on your creative project over the course of months.

To sign-up as a writer, you must have:

  • One to three ideas, one of which you will develop into a 20k+ fic, OR

  • A WIP of any length that has previously lived on your hard drive/cloud. WIPs that have been partially published somewhere else as small snippets or fragments are also okay. Fics that are already half-published on AO3 are not okay.

  • Notes, an outline, or other brainstorming documentation to show us how you’re thinking about your idea as a larger, finished story. This can be as formal as a 5-page outline or as informal as a series of moodboards for each act/beat of your novel.

  • A roughest estimate of the length of your finished fic.



CLAIMS KIT
Claims are no longer anonymous/silence-coned. This is designed to afford participants more space to talk about their projects in community and generate/maintain creative momentum. Chat freely about your brainworms and progress.

To qualify for claims, your fic must 50% or more complete with the rest thoroughly outlined. Your artist needs this to assess whether or not your fic is a good match. This draft will be given to your artist upon the completion of the claims process.

All writers must fill out The Claims Kit, which will ask for a fic excerpt, tags, warnings, rating, universe, a summary of plotpoints, and an optional vibes description. This info sheet is where you can convey the details and energy to potential artists courting your work. Artists will choose fic to claim only by the content contained in these posts, so be candid about the themes, mood, and tone of your fic here. DO NOT withhold information about common archive warnings. DO tag any common triggers.

FIC POSTING


 

All finished fic must be beta-read and represent your best effort at storytelling and grammar. Beta readers make your work better and they make you a better writer; you must have one. Check out our beta list or reach out to the mods for help finding one.

Works must be posted to AO3 and submitted to our event collection. Artists and writers are highly encouraged to post their works as 'Inspired By' on AO3, which links the works to each other, but allows single-ownership retention of the work. 'Co-Created' is also an acceptable posting method, to be used with discretion. You must coordinate posting with your artist.

You must warn for any content that requires an archive warning on AO3. CNTW is a valid and complete warning.

Authors may post chapters of their fics serially, weekly, bi-weekly, OR all at once.Your draft must still be complete and submitted by the Big Bang deadline. Cap-IM recognizes that getting eyeballs on long fic has become a substantial challenge in the algorithmic age and this change is intended to help more people see and respond to your hard work.

If you're ready to commit, WRITERS, use this form to sign up!

ARTISTS!

ART REQUIREMENTS

  • Artists must create at least 2 pieces of art for the writing project they have claimed. You can make more if you are moved to do so.

  • Artists must also create a banner. The banner must feature the name of the fic, a SFW crop of an art piece created for the fic (or a new art piece), the artist username, and the writer username.

  • You must READ the fic you claim in its entirety. Make sure you choose something that genuinely interests you!

  • All materials and styles of art are welcome, including traditional and digital. Art must be at minimum, finished works that use the extent of your skillset, on unlined paper with clean lighting.

    • Allowed: drawings, paintings, sketch pages, digital renders, dioramas, fabric crafts, and more. Examples: one color half-body drawing of two people with no background, and uncolored linework full-body page with inking shadows of one person and background OR two drawings with one full-body person in full color and simple background.

    • Not Allowed: moodboards, edits, low-effort digital art, low effort collage, artwork that is not accurate to the fic, and such. Examples: a single rough sketch on lined paper OR low contrast digital art with unclear details.

  • Art generated in part or whole with AI is strictly not allowed.

ALL-NEW, ALL-DIFFERENT FIC CLAIMS

Claim summaries will be posted to our Tumblr and Dreamwidth. Claims will be time-logged and submitted through Google Forms when claims open. By claiming a fic, you are signing up for the Big Bang. Be sure; you cannot drop out after claims without penalty.

If we reach a certain participant threshold, claims will be done as ranked-choice preference this year. If we do not meet the threshold, claims will be first-come, first-served as in previous years.

You may participate ONCE (1x) per big bang cycle. If you are writing fic, this precludes you participating as an artist.


You may claim ONE (1) fic per big bang cycle. Please look at the tags, rating, universe, and the other data your author has included in their Claims Kit. It's important to pick a project that motivates and inspires you to invest serious time and effort, in a congruous level to your writer's serious time and effort. BE SURE whatever you’re claiming is tonally consistent with the art you’re comfortable making, and is in line with the fics you like reading.

Claims are no longer fully anonymous in order to afford participants more space to talk about their projects in community and keep up creative momentum. You may encounter fic mentions organically in the wild; that is fine. However, you should claim based on content that interests you, not the author.

Keep in mind your willingness to make art of the content denoted in the writer’s Claims Kit – for example, are you claiming an explicit, porn-heavy fic but you’re uncomfortable drawing NSFW? Are you thinking of claiming fluff when you like to draw exclusively whump? This is the only fandom event format that is intentionally a celebration of long fic. Set you and your partner up for success! Honor the content of your writer's fic whilst enjoying content that most inspires your own creativity!

Claims posts will look like this sample:


UNIVERSE: 1872

RATING: E

WORD COUNT: 16,500/20,000

WARNINGS: graphic depictions of violence, wounds that don't heal, blood, temporary character death, secondary character death, canonical pig eating references

TAGS: monster!steve, monsterfucking, alcoholism cw, grief and war, unreliable narrator, red wolf, natasha barton, bruce banner, carol danvers, post-canon, nature, character death fallout, horror, gun kink, blood kink, weird biology, open/ambiguous ending, mystery, gore

 

SUMMARY:
Tony’s a city man, but he garners an appreciation for the wilderness of nature as he tracks Sheriff Rogers missing remains across the land.

Steve came back from the dead as something oh so mightily inhuman and it's up to Tony to decide how much of him as HIMSELF actually remains, and how much of him Tony can love. It turns out to be uh, a lot. Quiet bloodily. Tony and Steve engage in nasty monstrous-sorta undead desperate, you're-alive! sex.

Steve continues his living mission of hunting bad guys across great distances. After Steve fights and kills Bruce, who has become the Hulk, Tony must confront whether or not Steve has gone too far, and ultimately, decides that there is no distance Steve will go to, that Tony will not follow him to.

 

VIBES: poetic horror western with an instrumental soundtrack, all the gory bits of 1872 amped up, the coffin of Tony's iron man armor fighting monster Steve, unrelenting loyalty in the face of great moral destruction

FIC EXCERPT:

[a full-prose, 1k-5k fic excerpt, so you, the artist, can get a good sense for the piece and whether or not it inspires you!]


Again, writers are required to submit 50% of their completed draft to qualify for Claims. Cap-IM will give you, the artist, access to this draft via link once Claims are complete.

ART POSTING

 

 

 

Works must be posted to AO3 and submitted to our event collection. Artists and writers are highly encouraged to post their works as 'Inspired By' on AO3, which links the works to each other, but allows single-ownership retention of the work. 'Co-Created' is also an acceptable posting method, to be used with discretion. You must coordinate posting with your writer.

You must warn for any content that requires an archive warning on AO3. CNTW is a valid and complete warning.

Artists may post chapters/multiple posts of their art serially, weekly, bi-weekly, OR all at once. Your two artworks must be complete and submitted by the Big Bang deadline. Cap-IM recognizes that getting thoughtful interaction with art pieces has become a substantial challenge in the algorithmic age and this change is intended to help more people have more opportunity to comment on your artworks.


SOMETIMES WE FAIL

OFF-RAMPS


WRITERS, If you are not at ~50% of your wordcount by NOVEMBER 14, consider whether or not you are on track to completing your project with a humane-to-you workload.

If your wordcount is getting away from you as Claims approach, we recommend estimating/re-evaluating your projected final wordcount and dividing it by the number of months remaining. If the resulting figure is more than 10k per month, consider rolling over to the next cycle.

[total projected words] – [words you have right now] / [months left]

Once your fic is put up for claims and claimed, another human is invested in your work. As such, the last day to drop out without penalty is NOVEMBER 14.

EMERGENCIES

Because this is a collaborative event – meaning: another fannish person is investing their time and energy in your work and vice versa – we urge you to be mindful of your capacity and creative energy. That said, life does happen. If you’re having an illness or an emergency or other extreme situation, please just email us, and we will work with you to accommodate your life in any way possible.

DROPPING OUT

 

 

If you must drop out before artist claims, be free. No penalties.

If you must drop out after claims, speak up as early as possible. First, let your partner know. Then let us know.

If you must drop out as a writer once your fic has been claimed by an artist:

  • Both writer and artist may decide to roll the project over into the next BB cycle. No penalty.

  • If a writer whose artist has already created art drops out, we will source a pinch writer for that artist. The defaulting writer will be banned until the next Big Bang cycle is done.

  • If an artist drops out after claims, the mods will work to find the writer a pinch artist who is a good match for the project. The defaulting artist will be banned until the next Big Bang cycle is done.

BANS

 

Big Bang penalties no longer carry over to other Cap-IM events; if you fail the Big Bang and incur a ban, you may still sign up for the next cycle of HE, or RBB, or other non-BB. If you’d like to lift a ban early, you have three options:

  • Finish your work! Once you post it, the ban is gone.

  • Step up and complete a pinch hit for any Cap-IM event.

  • Wait one calendar year, or until the completion of the following Big Bang cycle.

garryowen: (trek spock strangles kirk)
garryowen ([personal profile] garryowen) wrote in [community profile] fancake2025-07-16 08:11 am

Star Trek AOS: Inspection of the USS Enterprise Serial Number NCC-1701-A by sad_bi_cowboy

Fandom: Star Trek AOS/Reboot
Pairings/Characters: Kirk/Spock
Rating: G
Length: 2,242 words
Creator Links: [archiveofourown.org profile] sad_bi_cowboy
Theme: Working together, outsider POV

Summary:

"Inspection order number 324867: USS Enterprise

Serial number: NCC-1701-A
Ship Class: Constitution
Ship Claim: Starfleet
Ship Membership: United Federation of Planets

Captain James T. Kirk in command.
Commander S'chn T'gai Spock: First/Chief Science Officer
Doctor Leonard "Bones" McCoy: CMO
Commander Montgomery "Scotty" Scott: Chief Engineer
Lieutenant Nyota Uhura: Chief Communications Officer
Lieutenant Hikaru Sulu: Pilot
Ensign Pavel Chekov: Navigator

Inspector Assigned: Lieutenant Jessie Bellamy

End of Transmission"

Reccer's Notes: Lt. Jessie Bellamy performs her first inspection of a Starfleet ship, and she gets the Enterprise in all its chaotic, rulebreaking glory. She's just trying to do her job, but the ship and crew are so far outside the rules that she's having trouble even fitting them into the standards for inspection.

When you read a lot of Star Trek fic, you start to normalize all the wild and irresponsible shit that goes on. This fic provides the perspective of someone who is supposed to evaluate how well the crew are following the rules, and it's fantastic. Lt. Bellamy has to stay on the ship for the duration of the inspection, work with the crew, and survive some of the scrapes the Enterprise gets into. It's hilarious and wonderful.

Fanwork Links: Inspection of the USS Enterprise
muccamukk: Blue sky with aeroplanes trailing red, orange, yellow, green and blue smoke. Text: "Not June. Still Queer." (Misc: Still Queer)
Muccamukk ([personal profile] muccamukk) wrote2025-07-15 10:16 pm
Entry tags:

Two Brief Murderbot thoughts

That I haven't seen anyone else mention.

ONE.
I like that they cast an older actor. AS is closing in on 50, and it might be a Hollywood 50, but he looks like he's seen some miles along the road. It makes things hit different than if they'd cast a thirty year old who looked like they just hatched. I know they compressed the timespan in the show, but in the book it'd been something in the range of four years between when it disabled its governor module and the start of All Systems Red, plus however long it'd been enslaved before that, which it doesn't even really remember. Which I think is better represented by someone with some lines around their eyes.

TWO.
Nenya speculated about if they were going to do the later books (and I think they'll do three seasons to cover the first four novellas, combining Artificial Condition and Rogue Protocol into the second season, and then call it a day), and if so, if we'd see the ship from System Collapse. I'd been thinking that, actually, mild spoiler for System Collapse )
umadoshi: (pork belly (chicachellers))
Ysabet ([personal profile] umadoshi) wrote2025-07-14 04:13 pm
Entry tags:

Foodstuffs from last week

I was sort of kitchen-assistanting for both of last week's cooking ventures, with [personal profile] scruloose doing most of the heavy lifting, but hey.

Last weekend we made this carnitas recipe that E.K. Johnston linked to (and she mentioned mango-lime salsa, which I hadn't had before but sounded good, so I bought some of that too, and liked it a lot), and it was really, really tasty. We got three meals out of it (and between that and a two-meal HelloFresh box, that pretty much covered last week's suppers).

Later in the week we roasted strawberries basically using this method (that recipe is also how I learned you can toast sugar, which I'd like to try sometime), but the only thing we added to the berries was sugar--specifically the summer fruit sugar blend from Silk Road Spices ("a delicious blend of maple and turbinado sugars with mint, ginger and freshly ground green cardamom"). This approach involves roasting the berries in a baking dish, while others do it by spreading them out in a single layer on baking sheets. I'd like to try it that way at some point too.

I also want to try slow roasting them sometime to compare the result.
newredshoes: Domo-kun doing victory arms! (domo-kun | victory arms!)
my love, I am the speed of sound ([personal profile] newredshoes) wrote2025-07-14 09:35 am

I'm back to save the universe!

I AM 41.

I AM EMPLOYED.

I HAVE A NEW BIKE.

For real!!

So much has happened!! Things are very good right now! Kpop Demon Hunters holds up well the second time you watch it! Gingko defended me/picked a fight with three asshole dogs behind a fence and is very proud of herself and her battle scars! I am publishing a story either this week or early next week that will make absolutely everybody mad, so I need to figure out how to protect myself on social media! I was finally able to BUY NEW BRAS and I hope they fit???

But yeah... yeah! Birthday last week was really excellent! I have a full-time job now, and it started last week! I have been sleeping so much since that started, just because I think I've been holding a decade's worth of stress about where my next paycheck is coming from and now I just... get to stay. (It is journalism and it is public media, so no, the guarantees are not 100%, but it's an amazing group of people who absolutely adore me and I'm on the softball team and I tested out my biking commute yesterday and it is less than half the time it takes on public transit! Imagine getting more than 15 years of workplace trauma healed with one gig that appreciates you and fights for you!)

I'm just very excited about things now. I'm watching a lot of decent/fun TV (mostly cdramas; League of Noblemen, A Dream Within a Dream, The First Night with the Duke, The Blood of Youth). I finally deep-cleaned and organized my kitchen so that I'm able to cook again, which I did this weekend, hurrah! My DnD party is confronting our Final Boss, and my beautiful dumbass tiefling monk took down the first of the three dragons we'll be fighting. Summer in Chicago is very, very good! I am eager af to make art and write fiction and play music again! Do all these exclamation points sound deranged? I'm just. Very happy right now, and I will ride it out as far as I can! ✶
umadoshi: (summer light (florianschild))
Ysabet ([personal profile] umadoshi) wrote2025-07-13 11:01 am

Weekly proof of life: mainly media

We made it to the little market down the road for the second week running and found the first vendor we visited down to his last several boxes of raspberries, so we bought two and headed back home. First raspberries of the season!

(I think yesterday was the first time I ever actually stopped and noticed why raspberries are called that.)

Reading: In non-fiction, I'm still reading through Tamar Adler's An Everlasting Meal: Cooking with Economy and Grace.

On the fiction front, last week I read Cameron Reed's The Fortunate Fall, relatively recently (and finally!) reissued under her current name after its first life as an award-winning SFF novel under her deadname literal decades ago. (I believe her upcoming novel is her first since this one!) It didn't actually hit my emotional buttons very hard (which isn't indicative of how anyone else might react), but it's beautifully constructed and executed. I see why it's so beloved by so many people. ^_^

I also read We Are All Completely Fine (Daryl Gregory), which I didn't realize was a novella until I started reading, so it went by pretty quickly. Interesting horror worldbuilding, although other than the characters' specific histories it's almost entirely hinted at or nodded to; I, at least, came away with almost no actual idea of what's actually going on on a larger scale.

And I read the new Murderbot story ("Rapport: Friendship, Solidarity, Communion, Empathy") that Martha Wells released for the show finale (note that Murderbot itself isn't actually present in the story).

Watching: No Leverage this week, I don't think. [personal profile] scruloose and I have agreed to switch this to an "I watch this when I feel like it, and if they're around and feel like it, they'll watch with me" show rather than one we're Watching Together. They enjoy it, but don't feel a burning need to see every episode.

I kind of wonder if I haven't started a show on my own for so long because I'm sort of subconsciously waiting to be able to watch the rest of Justice in the Dark whenever the whole thing is subbed somewhere.

We've seen the Murderbot finale, and I'm awfully glad the show's been renewed.

Beyond that, the two of us have now watched the very first episode of Silo, having had good luck with Apple SFF shows. I haven't read the books, so I know almost nothing about it.

(I have food stuff to talk about, but I think I'll call this a post and hope to write more later.)
mific: (Atlantis gold sunset)
mific ([personal profile] mific) wrote in [community profile] fancake2025-07-13 05:01 pm

SGA/SG1: Five Joint Missions, Post-Retrograde by LtLJ

Fandom: Stargate Atlantis, Stargate SG1
Characters/Pairings: Teyla Emmagan, Cam Mitchell, John Sheppard, Jack O'Neill, Ronon Dex, Daniel Jackson, Sam Carter, Miko Kusanagi, Rodney McKay, Teal'c
Rating: Gen
Length: 1505
Creator Links: LtLJ on AO3
Themes: Working together, Teams, Humor, Action/adventure

Summary: Five things that happen on missions where SG-1 and SGA-1 go through the gate together.

Reccer's Notes: A great example of the 5-things format - five dramatic, telling, and sometimes amusing times when members of the premium gate teams of Earth and Atlantis worked together. The last one's an absolute classic!

Fanwork Links: Five Joint Missions, Post-Retrograde on AO3
and I podficced it, here.

cimorene: Pixel art of a bright apple green art deco tablet radio with elaborate ivory fretwork (is this thing on?)
Cimorene ([personal profile] cimorene) wrote2025-07-12 05:16 pm
Entry tags:

Reading adventures

I haven't been able to get invested in reading a specific fandom in several years. Every now and then I look at fandoms I have read in the past and manage to spend a few weeks rereading some of them before I run out of patience to keep looking, but that's not very long.

About a month ago, I tried to read some 911 fic from [personal profile] waxjism's spreadsheet. She is keeping a spreadsheet of every fic in this fandom she has read. She records the title and author; pairing (even though they're all the same pairing); summary - which is sometimes the author summary and sometimes she writes something in this field like a comment, or a whole rant, that doesn't actually include a summary; a column called "good/no" where she categorizes them as very good, good, above mid, mid, "sub mid", or bad; and a column called "comments" where she sometimes rants, or continues the rant from the summary columnn, and sometimes just says things like "fun-ish" or "not flawless" or "pretty hot" or "unbearably written by a child or a super-offline person". This is different from how I, at least, used to keep track of a recs list when I had to do it manually, because she puts in everything she starts even if she DNF immediately, and also it's for private use. I tried to use it to find things to read, and it's not like I'm unfamiliar with reading fanfiction without canon but also I had seen some of this show accidentally while she was watching it. I did keep trying for a while and I read... some... number of the ones she marked very good or good, based on the comments and summaries, but I kept getting bored and annoyed at the characters. It just wasn't grabbing me. Very disappointing because there would've been a lot to read. (A huge amount of the things on this spreadsheet are marked bad or sub-mid even by her, and I think she is in general more forgiving in judging quality than I am even though unlike me she never reads things that seem kinda bad or mediocre to her for fun. And she has never gone archive-spelunking or read directly from the tag: she ONLY reads from recs and bookmarks. There's no control to test it here, but I think this bears out my personal conviction that there is a 0% increase in quality from recs and bookmarks (of random people that you don't know as opposed to someone vetted and trusted) vs. the slushpile (the entire content of the archive at random)).

A couple of weeks ago I saw a post on Tumblr that said something like, paraphrased, "There's a very popular notion that in the past all literature was good quality compared to now, but that's not true. This is survivorship bias. The stuff we still know and read in the present day is the good stuff, but a vast quantity of bad and mediocre stuff is lost to time." Someone responded by linking to The Westminster Detective Library, a project investigating the earliest history of the detective fiction genre. Apparently the professor who began it was initially inspired by a conviction that Poe's Murders in the Rue Morgue was not actually the first detective short story based on features of its writing which in his opinion betrayed the signs of a genre history. The website contains transcribed public-domain detective fiction that was published in American magazines before the first Sherlock Holmes story's publication. I have been enjoying reading through it chronologically since I read the post. Reading in one genre is a bit like reading in one fandom, and reading very old fiction has several special points of interest to me because I love learning about history and culture in that way. Of course on the minus side, it isn't gay. But I'm getting fascinating glimpses of the history of the genre and the history of jurisprudence in both America and Britain. And although there is definitely mediocre and "sub-mid" writing published in the periodicals of the 18th-19th centuries, awash in silly cliches and carelessly proofread if at all, they are still slightly more filtered for legibility and literacy than the experience of reading modern fanfiction (even, as mentioned in the last paragraph, from recs lists and bookmarks, unless you have a supply of trusted and well-known reccers to follow. I sometimes come near tears remembering the days when I could always check what [personal profile] thefourthvine and [personal profile] norah were recommending, but I can't blame them for the decline, either, because I was generally reading and at least bookmarking if not reccing just as productively at the time).

The other thing that has happened to affect my reading is that my little sister's high school best friend got engaged and invited my sister to her engagement party in Florida, which is going to be "Gatsby-themed". The 1920s is possibly my single oldest hyperfixation, dating from before the age of 10, and it's the historical period that I know and care the most about. For the past ten years or so the term "Gatsby" has, consequently, inspired me with the most intense rage and irritation, because its popularity after the movie version of The Great Gatsby flooded the internet with so much loathesomely inaccurate "information" about and imagery of the 1920s as to actually make it harder to find real information, and nearly impossible to filter out this dreck. So my sister began shopping for her Engagement Party Outfit, which is supposed to be "Gatsby"-themed, and I am the permanent primary audience for this (just as she is the permanent primary audience any time I am planning outfits or considering my wardrobe). This has led me to reading 1920s magazines online from the Internet Archive and HathiTrust - initially the middle-class fashion magazine McCall's; then also Vogue and Harper's Bazar (much more pretentious and bourgeois). I tried to branch out into interior design magazines of the same period (House & Garden and Better Homes & Gardens), but it has been harder to find scans of them. I find 1920s romantic fiction (serialized copiously in all these magazines) much less readable and enjoyable than the 1920s detective fiction which I am more familiar with (I've read plenty of it thanks to my interest in Golden Age detective stories)... but I've also learned a lot more physical and aesthetic details about women's fashion and interiors from the romantic fiction, which makes me think I perhaps need to seek out more of it.